The Joys of Gate-Making

17 May

My parents continue to live in my childhood home and I continue to be my mother’s default handyman.  You name it, I’ve done it, everything from changing light bulbs to repiping their entire house!  My mother’s most recent repair order was to rebuild two decrepit gates, one on each side of her house.  So after a few weeks of resistance, I finally gave in.

It took me an entire Saturday to replace both gates, from scratch.  It was hot and I made plenty of mistakes, but the day ended up being immensely fun and rewarding.  It felt great to work with my hands and apply myself in a tangible, concrete way.  But in the end, the best part was to see and experience the fruits of my labor.  There was immediate satisfaction and a sense of completion after mounting the gates and shutting them closed.

I wish filmmaking was more like building gates.  I wish the turnaround time of a feature film was in days, even months, rather than years.  It would be amazing to see and experience the results of my filmmaking work on a daily basis, rather than a monthly, even yearly basis.

Don’t get me wrong: I do feel a sense of accomplishment nearly every day, whether working on my script or composing important emails, but nothing compares to sitting back and watching your completed film with an audience, which doesn’t happen too often.

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Resource and Donation Based Filmmaking

9 May

Making movies demands a lot of money, resources and influence, which is why independent filmmakers have traditionally turned to financial investors for help.  However, this often leads to legal and logistical obstacles few are able to overcome.

That is why I have adopted a way to make movies without the legal and logistical obstacles associated with investment financing.

First, I find inspiration in resources I have access to.  My ideas and scripts primarily utilize people, places, and things within my reach.  I don’t know anyone in Miami, Florida, so why write a script that takes place there?  But I do have a solid network of family and friends in Indiana, which is why my next film is set on an Indiana farm.  

Even with family and friends helping out, there is no escaping the need for cash when making a film.  But instead of dealing with investors, I my wife and I will be raising money through donations instead.  My next film is fiscally sponsored by Fractured Atlas, a non-profit arts organization.  This means that financial and tangible contributions made in support of my film will be eligible for a full tax-deduction.  A donation-based approach is clean and simple, devoid of lengthy and expensive legal contracts and procedures.  Better yet, instead of partnering with investors who primarily seek to profit from my film, I now have a network of donors who genuinely want to support me and my film.

So there you go.  By basing my film on available resources and donations, there is a much greater chance of getting my film made.  I admit that this method heavily limits what a filmmaker can create, i.e., it limits her vision; however, filmmaking is a creative venture, one that depends on imagination, which has no bounds, no matter how limited one’s money and resources!

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What Do You Think I Should Do Next?

3 May

As you may know, my first feature film, Girlfriend 19, is under consideration at various film festivals and I am now currently writing my next feature film script, which will be filmed in August, 2013.  This means that I may have time to work on a smaller project this Fall.  So what do you think I should do?

To help you, I thought I’d share my current goals as a filmmaker:

  1. Sharpen my scriptwriting and directing skills.
  2. Cultivate my personal voice and vision as a film artist.
  3. Broaden my professional network.
  4. Improve my professional resume.
  5. Share my work with family, friends and beyond.
  6. Have fun!

The key to whatever I do is to keep things simple, mainly in scope of production.  I need to work on projects that will be completed from start to finish within two to three months.  And, of course, I need to keep costs down.

Here are four possibilities that I’ve thought of:

  1. Another round of 7 Films, 7 Weeks, except this time, I would constrain myself a lot more, e.g., each film can only be one shot and no longer than five minutes!
  2. Create and produce a web series with 4 – 6 short episodes (this would have to be a collaborative writing venture).
  3. Make three thirty-second television commercials.
  4. Write and direct one highly developed short film.

So what do you think?  There definitely are pros and cons of each, which is why I’m confused.  Because I don’t get much paid work, it might behoove me to create more commercial material; I don’t know…  But then again, as primarily a narrative filmmaker, and a new one at that, I feel it might be best to continue developing my personal, artistic craft….  Or, perhaps, you may think of another possibility?

I really would love your feedback!

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The Most Inspiring Video I Have Ever Seen…

30 Apr

A video by Derek Sivers via TED.com, which ought to get your week off to an inspired start!

(Let me know what you think after you watch this, whether in support of or critical of the video!  E.g., does Sivers leave anything out?)

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New Film Synopsis

26 Apr

I’ve been eluding to my next feature film project in recent posts and now it’s time to share what the heck it’s about! 

Our film is a love story that explores the beauty and enigma of two people being drawn together as they help one another overcome personal fears.  The main setting is a thriving Indiana grain farm where its lone occupant, a gruff widow named Eugenia, is bedridden due to a stroke.  Her estranged children leave her in the hands of Bernadette, a live-in caregiver who is as gifted at baking, as she is caring for the sickly woman.  Bernadette soon discovers another presence on the farm, Shane, Eugenia’s loyal, yet withdrawn farm hand.  As Bernadette and Shane work alongside one another on the farm, they discover that love is a phenomenon beyond their control, one that chooses them as much as they choose one another.

So there you go!  As I mentioned before, I recently completed the first draft of the script and am now rewriting.  I’m excited to share the process of making this film with you, everything from writing, to directing, to editing.  I’ll be posting a lot more frequently with questions, thoughts, and concerns you hopefully with comment on.

Here are a couple of photos visually exemplifying why I wanted to make my next film in Indiana…

Indiana Country Road

An Indiana country road in August. I have a few scenes in my script where characters ride along country roads...

Eagles Theatre, Wabash, Indiana

The beautiful Eagles Theatre in Wabash, Indiana, recently restored by the Honeywell Foundation. Not only is there a scene in my film set at the theatre, we also hope to premiere our film there in 2014!

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