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Girlfriend 19 Update

21 Feb

I’ve been meeting with some great people recently to fill the roles of Sound Designer and Composer for Girlfriend 19.

My hope is to hire individuals who are eager to contribute to the film and make it their own.  I believe the best work is a result of personal investment, rather than mere obligation or duty.  That is why I encourage those who help me on my projects to challenge themselves and be innovative while staying within the overall vision of the film.

I’m certain I will know who will sound design and score the film by the end of the week, which I will post immediately!

Girlfriend 19 Rough Cut Completed!

7 Feb

A “rough cut” is the first assembly of a film in its entirety and I’m elated to say that John Nelson and Jarrod Burt have completed the rough cut of our feature film, Girlfriend 19!

I was literally shaking while watching it and couldn’t believe it: my movie was coming to life!  There it was, right before me.  All the characters, scenes and props I imagined in my mind were now on the screen.  Incredible…

John, Jarrod and I spent the entire day yesterday critiquing the rough cut and sharing notes.  We then spent much time at the computer editing the film further.  John and Jarrod are the coolest guys to work with in addition to their tremendous talent.  It really is a joy and the day was a blast…

Special mention must also be made regarding Alison, John’s wife.  We were at their house all day, despite the fact that she is due to give birth any day now.  She is in full support of our work and encouraged us all day.  Amazing…

Girlfriend 19 Update!

13 Jan

It’s time for a Girlfriend 19 update!

As some of you know, the editing team of Jarrod Burt and John Patrick Nelson are editing Girlfriend 19.  They’re about halfway through the first cut and it’s looking great!

Watching the film unfold is incredibly exciting and frightening at the same time.  I’ve never parachuted before, but I bet it feels the same (okay, maybe not that much!).  LOL

Nonetheless, it’s been a tremendous rush for me and very affirming.  Already, after watching a few scenes, Girlfriend 19 has a very distinct and unique feel.  It’s hard to explain without showing examples, so hopefully I’ll be able to post some visual samples soon.

Although the feature film journey is tedious and daunting at times, is definitely is worth it when you see the film coming to life!

Filmmaking Lessons From a Cattle Rancher

5 Jan

In an attempt to eat healthier and more responsibly, I’ve been searching for alternative ways to purchase beef in my home state of California. Documentaries like King Corn and Food, Inc. have convinced me that mass beef production in America is problematic on many levels. That’s why I was so happy when I recently come across a brochure for a family run cattle ranch in California.

The owners are Seth & Mica Nitschke and their company is Open Space Meats. Not only do they practice “responsible stewardship” for the earth and the animals under their care, but they raise cattle the way nature intended, on grass, not corn. Their beef is not only leaner, but a lot more nutritious due to the essential qualities of a grass diet.

What does all this have to do with independent filmmaking? A lot! While reading their brochure, I came across this paragraph:

Seth & Mica Nitschke are family ranchers in beautiful central California; we created Open Space Meats to bring a nutritious, great tasting product to our customers. We haven’t formulated our beef on a computer, or tested it with focus groups; instead, we’ve done our best to make sure you are happy with our beef for all the right reasons, not because we tricked you into it. We love Open Space grass fed beef and we hope you will too!

I want to create films the way Seth and Mica raise and sell beef! First and foremost, I want to make “nutritious, great tasting” films. Unlike cheap, quick fix sugars and artificial ingredients, good, solid nutrition has substance and is long-lasting. Many movies may appear nutritious, but their effects wear off quickly; they merely produce short-lived highs or fleeting bursts of inspiration. On the other hand, like grass fed beef, I strive to make films that are spiritually, socially or culturally nutritious in a long-lasting way. Films that build-up, not puff up. I also hope to make “tasty” films that are captivating and intriguing to watch. I realize that just like food people’s tastes vary when it comes to film. Not everyone likes to eat beef and not everyone will enjoy my films. Nonetheless, I will make them as tasty as possible according to my sensibilities and values.

Also like the Nitschkes, I am running a business with “customers.” My hope is to one day make a comfortable living as an independent filmmaker; therefore, I must reach a certain number of people who will support my work and vision. People who will believe in why and how I make films just as customers believe why and how the Nitschkes raise cattle. I need to have a clear vision and purpose as a filmmaker and communicate that with others. More importantly, I need to continually make films that embody my vision and purpose, which I can ultimately share with others.

The Nitschkes state that they “haven’t formulated our beef on a computer, or tested it with focus groups.” It’s amazing how relevant that statement is to the film industry! But then again, we’re both dealing with industries: film and beef, thus, many corporate practices are bound to overlap. As a filmmaker, I too don’t want to resort to impersonal, computed data when producing my films. I want to focus on qualitative, not quantitative measures. I’m certain the Nitschkes really on their personal tastes and convictions when making decisions on their ranch and, likewise, I want to rely on my own personal tastes and convictions when making my films. No doubt, the Nitschkes are conscientious, sincere people, thus, their product will reflect their character and I believe my films ultimately reflect my character as well.

Finally, the Nitschkes state that they do not want to “trick” anyone into buying their product. This reminds me of all the misleading trailers, ads and posters I see promoting movies. In fact, I’ve come to a place where I honestly can’t stand trailers and deliberately go to a movie 10-minutes late. Though many are well-crafted, trailers often depict a film in a highly misleading way and often “trick” people into watching them. As a filmmaker, I hope people will watch my films based entirely on what they truly are, not for what people are mislead to believe. It is my greatest hope that I will eventually generate a reputation as a fine filmmaker, which genuinely warrants the viewing of my films.

One last note for fun! Though I’m not sure, there is a chance the Nitschkes brand their cattle the good old-fashioned way. There has been a lot of talk lately about independent filmmakers needing to brand themselves and rely less on studio support. By establishing themselves as a brand, filmmakers can then market themselves and their films more effectively. They can build a community around their brand and garner financial, promotional and emotional support. Although I resisted this notion at first, I have come to embrace it as an absolute necessity. After all, like the Nitschkes, I need to financially support myself and my family. In other words, I need to make money! So, like Open Space Meats, I need to establish a well-respected, unique and trusted brand that folks will promote and support!

Girlfriend 19 Editing Underway!

14 Dec

Whenever my friends and family express their desire to watch Girlfriend 19 once it’s ready, I chuckle because I’m personally dying to watch it!  LOL

Girlfriend 19 is going to be an unconventional film in many ways, so it’s hard to imagine what the finished film will be like.  The truth is that I designed it that way.  Rather than follow hard-and-fast narrative and stylistic rules, I wrote and directed Girlfriend 19 in a much more visceral and instinctive manner.

Editing the film will no different, which is why I am so thrilled Jarrod Burt and John Patrick Nelson are my editors.  They work as a team and recently edited the feature film, Grey Skies, which has been doing very well in the film festival world.  Besides being immensely talented, Jarrod and John are downright honest and good-spirited.

I’ll be working loosely with Jarrod and John during the first edit of the film.  In essence, they will work on their own while I periodically check-in and give feedback.  Once the first overall edit is complete, we will then watch the film together and collaboratively determine any necessary changes.  I may also ask a few trusted friends and colleagues for feedback after the first edit as well.

I will definitely post some photos of Jarrod and John in action and, perhaps, I may be able to post some clips/scenes from the film.  I’m just a bit wary of giving away too much and ruining the film!